![]() Bayonetta stands out against the harsh, punitive world of heaven and instead chooses her own path and discovers her identity despite those who want it hidden. She lives in a world where the followers of light, which basically stands in for the church, has supposedly won and destroyed all witches. The Bayonetta series is steeped in Christian iconography and storytelling. The games depict her as a transgressive hero who can stand up to the literal angels of heaven. Additionally, Bayonetta character designer Mari Shimazaki has released art of the two together, depicted as lovers.īut it’s more than Bayo having a theatrical style similar to real-life queer icons, or possibly being a lesbian herself. Creator Hideki Kamiya has even given interviews where he’s referred to Bayo and Jeanne being a couple. While the first game focuses more on their rivalry, in Bayonetta 2 Bayo literally travels to the gates of hell in order to save her. Whether it’s her regular latex suit or special outfits, like a super short, puffy pink dress inspired by Princess Peach, Bayonetta shares an over-the-top fashion sense similar to that of a stage performer.Īnd while it’s not canon, fans have accepted Bayonetta as a member of the queer community, shipping her with her best friend, Jeanne. ![]() Galiz-Rowe compared Bayonetta to real-life queer icons like Lady Gaga or Madonna. ![]() “Aside from her being a gigantic, gregarious woman with gun high heels, she was also a character with big breasts who, while obviously an object of desire, was also the main character with her own game and her own narrative, who also wasn’t villain-adjacent like Ivy Valentine,” he said. “I’ve been obsessed with Bayonetta since I saw the commercials for the first game in middle school,” said Ty Galiz-Rowe. Since the franchise’s debut in 2009, Bayonetta has become an icon to queer fans, many of whom are eagerly anticipating Bayonetta 3, which will reveal more of the beguiling witch’s story. This scene feels characteristic of many moments throughout the series, establishing Bayonetta’s flair, hyper-femininity, and unabashed confidence, and lending both her and the series a sort of campiness often popular with LGBTQ+ fans. Theatrical and flamboyant scenes like this one have made Bayonetta a bonafide icon for LGBTQ+ fans. When she’s done, she’ll top it all off by blowing a kiss (if we’re lucky). When she punches and kicks, she contorts her body into impossible positions, like the splits, before she spins her legs around like a helicopter, firing bullets from guns embedded into her high heels. It turns out she’s a witch whose signature outfit includes a tight latex bodysuit and cat-eye glasses that make her look like the world’s hottest librarian. But within minutes this outfit is ripped off her body as she moans, and a toe-tapping, sped-up electronic remix of “Fly Me to the Moon” plays. When Bayonetta is first introduced, the tall, slender woman is wearing a habit, the traditional conservative wear of a nun.
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